Category Archives: CULTURE

Empowering Maasai Women in Tanzania

Maasai women claiming rights and addressing needs

Maasai woman singing
Maasai woman singingJaviC / Foter

Empowering Maasai women in Tanzania by Maanda Ngoitiko

Click HERE for the full PDF text of the paper

Maasai women are among the poorest and most marginalised groups in Tanzanian society. A local women-led organisation, the Pastoral Women’s Council,  works to improve the lives of Maasai pastoralist women and children by increasing their access to social services and economic empowerment.

Research from the Pastoral Women’s Council (PWC), in Tanzania, and the International Institute for Environment and Development (IIED), in the UK, examines how the work of the PWC helps women to claim their rights and address their basic livelihood needs.

The Maasai community lives in Ngorongoro District in the Arusha Region of northeast Tanzania. They are pastoralists: semi-nomadic livestock keepers who move with their herds. But their livelihood and way of life are under constant threat because the Tanzanian government does not recognise their land-use rights.

Women in patriarchal Maasai communities are especially disadvantaged. They have no right to own property or livestock, have very limited access to education, and lack the power to make decisions about their own lives (for example, girls are often forced into marriage). Maasai women also lack political representation at all levels, from community to national government.

The Pastoral Women’s Council was founded in 1997 to address the problems Maasai women face. It began by setting up women’s action groups, which provided a forum for women to meet and discuss issues affecting them individually and as a community. The PWC’s approach is to encourage communities to play an active role in designing and implementing their development projects.

The PWC supports activities in six key areas: educational opportunities for girls and women; a credit scheme to help raise women’s incomes; a revolving livestock programme to promote property ownership for women; a small-scale agricultural development programme to enhance household food security; promoting women’s rights and leadership by raising their awareness of politics, legislation and rights; and working to secure indigenous rights to natural resources.

The PWC’s main achievements to date include:

  • Women have gained confidence, skills, knowledge and respect in different areas of their lives.
  • Formal education opportunities for Maasai girls have improved.
  • The credit scheme has provided financial support to more than 300 women, enabling them to own property, engage in cattle trading, and learn new skills.
  • Women are participating in politics, village government meetings and school committees.
  • Women are taking ownership of the PWC programme and raising funds locally for community projects.

Changing culturally rooted norms and systems in any society takes time and considerable effort. Key lessons from the PWC’s work include:

  • Committed staff and a strong management committee are essential.
  • Setting realistic objectives and having a focused agenda are important.
  • Past successes need to be built on to develop community support and trust in the organisation.
  • Working within and across the community with both women and men is critical.
  • Developing strong partnerships with donors and building networks with other organisations inside and outside Tanzania is very important.

Via Eldis.org

How to get a copy

Download a PDF copy of Empowering Maasai women

Suggested Books

CALL FOR AUTHORS: African Culture

The following call for authors from SAGE publishers should be of interest to Africanists and African scholars. Please respond directly to the Author Manager at the address in the advert to ask for a list of available topics.

Greetings,

We are inviting academic editorial contributors to a new reference work: Cultural Sociology of the Middle East, Asia, and Africa: An Encyclopedia.

The four volumes include:

  • Volume 1: Middle East
  • Volume 2: Africa
  • Volume 3: East Asia and Southeast Asia
  • Volume 4: West, Central, and South Asia

In our age of globalization and multiculturalism, it has never been more important for Americans to understand and appreciate foreign cultures-how people live, love, and learn in areas of the world unfamiliar to most U.S. students and the general public. The Cultural Sociology encyclopedia takes a step forward toward presenting concise information with historical and contemporary coverage of the Middle East, Asia, and Africa, as four volumes of area studies illuminate the powerful influence of culture on society.

Each title comprises approximately 200 articles organized chronologically and alphabetically, addressing such academic disciplines as sociology, political science, women’s studies, business, history, religion, law, health, education, economics, and geography. It is the intent of the encyclopedia to convey what daily life was/is like for people in these regions. Each article ranges from 600 to 3,000 words. We are now making new assignments due December 1, 2010.

This comprehensive project will be published by SAGE Reference in 2012 and will be marketed to academic and public libraries as a print and digital product available to students via the library’s electronic services. The General Editor, who will be reviewing each submission to the project, is Dr. Orlando Patterson at Harvard University.

If you are interested in contributing to this cutting-edge reference, it is a unique opportunity to contribute to the contemporary literature, redefining sociological issues in today’s terms. Moreover, it can be a notable publication addition to your CV/resume and broaden your publishing credits. SAGE Publications offers an honorarium ranging from SAGE book credits for smaller articles up to a free set of the printed product or access to the online product for contributions totaling 10,000 words or more.

The list of available articles is already prepared, and as a next step we will e-mail you the Article List (Excel file) from which you can select topics that best fit your expertise and interests. Additionally, Style and Submission Guidelines will be provided that detail article specifications.

If you would like to contribute to building a truly outstanding reference with the Cultural Sociology of the Middle East, Asia, and Africa: An Encyclopedia, please contact me by the e-mail information below. Please provide a brief summary of your academic/publishing credentials specific to the region.

Thanks,

Lisbeth Rogers
Author Manager
Golson Media
culturalsociology@golsonmedia.com

Surfaces: Color, Substances, and Ritual Applications on African Sculpture

dogon door mali

Dogon door, Mali

[Photo credit: 10b travelling]

Leonard Kahan, Donna Page, Pascal James Imperato, eds.  Surfaces: Color, Substances, and Ritual Applications on African Sculpture. Bloomington  Indiana University Press, 2009.  523 pp.  $75.00 (cloth), ISBN 978-0-253-35251-4.

Get a copy:Surfaces: Color, Substances, and Ritual Applications on African Sculpture (African Expressive Cultures)

Reviewed by NDUBUISI C. EZELUOMBA (University of Wales, Aberystwyth)

Surfaces of History and Significance

Exhibits in the catalogue are about patina–the material residue of use that not only contributes to the value, meaning, and aesthetics of a work, but also signals its age and history.[1] It may indicate the frequency with which the sculpture was put to use as well as how it was handled. Although the works discussed have been taken out of their original context–through exchange, trade, or even appropriation–they carry their history and culture with them through patination. Removing that patination does as great a violence to the work as removing a reliquary guardian figure from its bundle or box of skulls, or mutilating the figure by removing its genitals (a Victorian tendency–and not restricted to African sculptures). Though the works may now be experienced in a different environment, patina remains a significant, though not totally reliable avenue through which their authenticity can be ascertained (p. 384). The essays in this volume bring together a wealth of information gathered ethnographically to reveal how important the surface of a piece is to understanding the culture that once possessed it.

In the first chapter, Leonard Kahan’s historical background of African art gives a critical review of the journey of the forms and objects when they first entered Western consciousness in the nineteenth century. His analysis is in-depth, and he accesses modern taste as well as appreciation of African artifacts. He reiterates Marshall Mount’s 1973 classifications in twentieth-century African art, although he calls attention to their inconsistencies. Going further, he advocates for a more nuanced analysis of the art forms. This is a clever suggestion especially as current methodologies adopted for the study of African art are quickly becoming outmoded because of new research methods. In chapter 2, “Agents of Transformation,” Donna Page is able to analyze the complex process of creating surfaces through the examination of the sequence of applications as they are made by different individuals in different African cultures. Her analysis corroborates what is still observable today. For example, in Olokun earthen sculptures and worship objects, it is only when the herbs and other ritual substances necessary to activate the forms are added that it becomes active for ritual and healing purposes. The third chapter focuses on the analysis of color. Although taking its cue from Victor Turner’s “forest of symbolism,” color symbolism has an implicit universal acceptability when accessed from different cultural backgrounds.

As I have observed during fieldwork in Benin on Olokun sculpture, the surface quality of the sculptures and objects are not of significance except in that they echo the age and longevity of the forms. This contrasts with Pascal James Imperato’s essay on Bamana sculptures, in which he concludes that “the surface of Bamana sculptures carry important cultural messages” (p. 189). Through surface treatments of color, patina, encrustation, and design, the Bamana infuse sculpture with _nyama_ and maintain linkages between the living and the spirit worlds. In Benin, the qualities of surface treatment are parameters that define the concept of beauty or _imose_, but do not enhance the ritual potency of the sculptures.

In the fourth chapter, Charles Bordogna gives a vivid description of Yoruba _ibeji_, showing how the surface qualities of these figures create a sense of visual, tactile, and olfactory participation. In chapter 5, Bolaji Campbell discusses Yoruba color symbolism, arguing that the parochial triad of red, black, and white does not hold in the Yoruba context. In the sixth chapter,”Surface Conditions of Wood Sculptures,” Kahan further elaborates upon the symbolism embedded in some wooden sculptures. Despite their continued existence, today many wooden sculptures have only minimal significance in the cultures that once produced and possessed them. The reason for this abandonment is linked to the ravenous ways Christianity and Islam have taken over many indigenous belief systems. Modern African cities have had their share of growing Evangelical, Pentecostal, and Orthodox churches. There is also a steady rise in mosques within and around cities. The activities of these foreign religious groups contradict tenets of indigenous African religion as practiced in the past. Churches discourages their members from having any dealings with deity worship in general, even though some members, and even pastors, have been recorded as going to centers of worship at unsociable hours to obtain medicines and charms for good luck and success in business. Muslims have been more tolerant of the traditional religion.

The last chapter of the catalogue is a detailed compilation of substances used as agents to encrust as well as to color sculpture in Africa. The compendium is rich and Page is able to provide botanical references for all the plants associated with the various substances applied to these sculptures.

Not only are the essays in this volume comprehensive in scope and based on meticulous scholarship, but they also greatly illuminates an important feature of African sculpture, the meaning of the surface. An aspect of the book that I found significant is the methodology adopted by Kahan and Imperato. They based their analyses largely on ethnographic data gathered from the respective African cultures where the pieces originated, and consequently were able to reconstruct a valid history of the pieces. By pushing the boundaries beyond stereotypes through the incorporation of the voices of the people that owned and used these artifacts, the text has achieved another milestone in the study of African material and visual culture. I must add that, an effort such as this must act as a stimulus to other scholars to search for the salient symbolism of numerous African sculptures locked away in Western museums.

The book is well organized, has extensive references, and contains a substantive bibliography. It also has exceptional color and black and white illustrations that focus on surface rather than sculptural form. It represent a valuable contribution to the expanding literature on African art. The color plates and informative essays provide the reader with a good introduction to the deeper meanings embedded in the surfaces of the various masks and statuary from the West African cultures that produced them. The volume is particularly welcome given the lack of material published on the subject.

Note

[1]. Suzanne Blier, _Art of the Senses: African Masterpieces from the Teel Collection_ (Boston: Museum of Fine Arts, 2004), 11.

Citation: NDUBUISI C. EZELUOMBA. Review of Kahan, Leonard; Page, Donna; Imperato, Pascal James, eds., _Surfaces: Color, Substances, and Ritual Applications on African Sculpture_. H-AfrArts, H-Net Reviews. September, 2010.
URL: http://www.h-net.org/reviews/showrev.php?id=25137

This work is licensed under a Creative Commons
Attribution-Noncommercial-No Derivative Works 3.0 United States
License.

H-AfrArts
H-Net Network for African Expressive Culture
E -Mail: H-AFRARTS@H-NET.MSU.EDU
http://www2.h-net.msu.edu/~artsweb/

African trees and lost knowledge

The following post appeared on H-AfrArts as part of a discussion on African tree rings. I find this comment by Professor Sylvester Okwunodu Ogbechie very poignant and quite distressing. So much more than ‘just’ trees are being lost.

Village trees in Nigeria

I spent my teenage years farming in my hometown. It was at this time quite a village, with no running water or electricity but with massive groves of old growth trees, many dating back to before the founding of the town in the 15th century. We practiced slash and burn agriculture on a land-rotation basis, with land left fallow for five years between each rotation, which meant that clearing our patches of farmland involved cutting down many trees (this system fell apart in 1987 when the collapsing Nigerian economy forced many of my kinsmen back to the village and caused a massive stampede for available land. What was once the most fertile land in West Africa was then farmed into exhaustion, but that’s another story).

I basically saw the destruction of the old-growth forests and the fall of great trees that were as much part of the town’s pantheon of ancestral figures: trees that had their own names and titles, and received their own formal salutations: *Agbono Abo*, *Oke Osisi*, *Alusi Ogodo*. I was initially baffled when, on the way to the farms in the morning, I saw people saluting the trees. I understood later they were very much part of the population of the village. At the center of the village, our main square Abo-Ano* (four heaths) where the four lineage paths met, there were four great trees, giant old growth trees towering over the town. Of this ancient grove, only one tree remains, the King’s tree (*Abo-Obi*): cutting it down would imply the demise of the throne and this is why it survives.

I am saying in essence that I have seen a huge number of trees cut down in my time and nearly all the trees I have seen cut down had tree rings in them. The density and clarity of the rings vary from tree to tree although some trees (silk cotton trees especially) didn’t seem to have them. When the silk cotton tree in front of our house was cut down, it’s trunk lay there for four rainy seasons until it turned to mush: it became waterlogged and then literally disintegrated into the soil. When the main grove at Abo Ano was cut down, the trunks lay there for a full season before they were hauled away. I remember clearly walking by these trunks and noting that they had rings on them. I noticed this because each tree in the grove was a different type of tree: there were two Iroko trees (*Chlorofora Excelsia*), one giant silk cotton tree (*Ceiba Petandra*) and the king’s tree, which still stands, was an ebony tree. It is still the largest tree I have seen anywhere.

The ancient groves are gone now, and the last time I visited my home, the town was naked. All the large trees were gone except for *Abo-Obi*, the King’s tree, which now stands alone where there used to be four great trees. The trees in the forest are also gone, logged off for sale to Chinese merchants who prowl the rural areas buying up whole tracts of land and deforesting them. (A sculptor friend complained to me that she could no longer find ebony for sale in local wood markets: it was her preferred wood for sculpture but Chinese merchants have bought up the entire supply for export).

Since tree rings are evidence of significant life of these trees, the deforestation and very young age of the remaining trees will soon probably render the question moot. As for asking the local people for their oral histories of these trees, don’t bother. Those who know this history, i.e. those who actually lived in an era when these histories was required learning, hence people like my kinsmen who saluted the great trees and saw them as custodians of knowledge, most of them are dead and long forgotten.

The tragedy of African knowledge is that most of what was painstakingly accumulated through sustained engagement with the forest over the centuries was lost in contemporary times when that knowledge was defined as useless. When I retuned to the village, it took me ten years to even begin to crack the facade of this knowledge and I wouldn’t have learned any of it if my cousins didn’t rally around to teach me. With the forest gone, there is no way to teach any of my kinsmen of this generation about what the forest meant and how to speak to the trees.

On my last visit home, I went to visit *Abo-Ano* for what might very well be the last time. I sat under the King’s tree for a while and listened to the rustle of his great branches. I’m still here, he said, the throne still stands, earth abides. I sat awhile and then stood and left the village. It is true you really can’t go back home again.

Prof. Sylvester Okwunodu Ogbechie
History of Art & Architecture
University of California, Santa Barbara

H-AfrArts
H-Net Network for African Expressive Culture
E -Mail: H-AFRARTS@H-NET.MSU.EDU
http://www2.h-net.msu.edu/~artsweb/

Suggested Books

Other Africa environment books

Protecting African Folklore and Traditional Knowledge

Home of a traditional healer, Mombasa, Kenya

[Photo credit: make_change]

Protecting Africa Intellectual Property Rights

The following press release from the UN News Agency is interesting.

UN AGENCY HAILS MOVE TO PROTECT AFRICAN FOLKLORE AND TRADITIONAL KNOWLEDGE

New York, Aug 31 2010  5:05PM

The United Nations agency charged with protecting intellectual property worldwide has welcomed the adoption by a number of African States of a new legal instrument that seeks to protect the continent’s traditional knowledge and folklore.

The instrument, adopted earlier this month in Swakopmund, Namibia, by member states of the African Regional Intellectual Property Organization (ARIPO), is designed to preserve and protect the use of Africa’s diverse knowledge systems and cultures for the continent’s sustainable development.

It will enter into force following ratification by six ARIPO member states.

Francis Gurry, Director General of the UN’s World Intellectual Property Organization (WIPO) welcomed the adoption of the Swakopmund Protocol on the Protection of Traditional Knowledge and Expressions of Folklore as “an historic step for ARIPO’s 17 member states, and a significant milestone in the evolution of intellectual property.”

Developed by African experts over a six-year period, the Swakopmund Protocol is a response to the misappropriation and misuse of the continent’s traditional knowledge and traditional cultural expressions.

It was developed in coordination with a similar instrument prepared over the same period by the 16 West African countries comprising the Organization Africaine de la Propriete Intellectuelle (OAPI), and adopted in July 2007.

WIPO provided support to both organizations in the process of developing those instruments.  Mr. Gurry said that WIPO was also ready to respond to requests from ARIPO and OAPI member states for support in the development of national laws for the protection of traditional knowledge and traditional cultural expressions.

Meanwhile, WIPO’s Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore is working towards the development of a legal instrument for the effective protection of traditional knowledge and traditional cultural expressions that would be international in scope.

Following a productive intersessional working group meeting last month, that Committee will meet again in December to continue its work.

More information

For more details go to UN News Centre at http://www.un.org/news

Suggested books

African Cultural Renaissance Campaign (2010 – 2012)

African Cultural Renaissance Campaign (2010 – 2012): Strategy for implementation – “Promoting together the African Cultural Renaissance”

According to a document produced by the AU Commission, the aim of the Campaign for African Cultural Renaissance is to promote Pan Africanism, cultural renewal and identity as forming part of the shared values in the Continent.

The specific objectives of the Campaign are to:

  • Ensure that African cultural values including African languages are promoted to maximum effect in order to reinforce a sense of identity among Africans.
  • Promote the ratification of the Charter of the African Cultural Renaissance to ensure its entry into force.
  • Popularize, and promote the effective implementation of the Charter at all levels of society through various activities that will:

Activities foreseen in the strategy for the for the Campaign (2010-2012) include the following main activities

  • Formal Launching (during the celebrations of Africa Day on 25th May 2010 in Accra, Ghana as well as at the third Conference of African Ministers of Culture (Abuja, October 2010).
  • Production of Advocacy and IEC materials
  • Development of a Practical Guide on the Implementation of the Charter
  • two competitions: a) an essay competition on Pan-Africanism for Young Africans; and b)  acompetition for the production of video clips showing traditional dances and or other artistic expressions and their important role in promoting Pan-Africanism.
  • Promotion of African languages through a) Advocacy for the need to implement the Language Plan of Action of Africa (LPAA) and to formalize national language policies; b) the organisation of the first meetings of the Governing Board and the Assembly of Academicians of ACALAN; c) Develop a specific Pan-African Programme of Mother Tongue-based Multilingual Education (MLE)in some countries.
  • Meetings including a) an expert meeting to develop the practical guide and to assess progress/ monitoring and evaluation of the Campaign; b) The 3rd Session of the AU Conference of Ministers of Culture and c) the Third Pan-African Cultural Congress will mark the end of the Campaign in 2012 and will provide an opportunity to assess the impact of the Campaign.
  • An exhibition and a catalogue on the African Cultural Renaissance and the Spirit of Pan-Africanism
  • Focusing national cultural festivals during the Campaign on the popularization of the Charter and and the promotion of the African Cultural Renaissance.

Via OCPA News no 258,

More information about the launch

Read the full version of OCPA News in PDF format at www.ocpanet.org/activities/newsletter/2010/OCPA_News_No258_20100812.pdf

and in Word format at www.ocpanet.org/activities/newsletter/2010/OCPA_News_No258_20100812.doc.

Suggested Books

Other Africa Culture books

Africa Arts : Benin1897.com Art and the Restitution Question

A colloquium and Exhibition

The colloquium and travelling art exhibition called Benin1897.com: Art and the Restitution Question by Benin artist Peju Layiwola took place from 8th April-30th May 2010 in the main auditorium gallery of the University of Lagos in Nigeria. You will find the site http://www.benin1897.com of interest.

The artist-artist scholar, Peju Layiwola, a Lecturer in the Department of Creative Arts, University of Lagos will be showing her recent works in a solo exhibition entitled Benin1897.com: Art and the Restitution Question at the Main auditorium gallery of the University of Lagos, Nigeria.   The exhibition will be declared open by HRH, Prince Edun Akenzua, the Enogie of Obazuwa.  Subsequently after this opening, the exhibition will travel from Lagos through, Ibadan, Abuja and Benin till the end of the year. The exhibition will hold in Ibadan from 19 August to 19 September at the Museum of the Institute of African Studies, University of Ibadan.  The Edo State Government will be hosting the show later at the Benin Venue and the National Commission for Museums and Monuments in Abuja. This exhibition comes up to mark the 50th year anniversary of Nigeria.

Benin1897.com provokes you to step into a triple-layer of discursive event as seen through the exhibition of the artist, Peju Layiwola, a colloquium and publication by nine scholars drawn from across the globe on the vexed issue of art-stripping and the restitution question in relation to Benin. Benin1897.com refers to the British ‘Punitive’ Expedition and also presents an artist’s impression of this cultural rape of Benin. It seeks to recontextualise the event of the invasion, during which the nascent British imperialists sacked an ancient government and its monarch, Ovonramwen (ruled c.1888-1897), and looted its, largely bronze and ivory, art works over a schism that seems more orchestrated than real. Till date, families from the old kingdom still speak of their losses, in human and material terms, yet our world speaks tongue-in-cheek.

Over the years, Peju Layiwola has been experimenting with forms and media ranging from terracotta, copper, bronze and gold, among others. The current exhibition could as well be described as her most ambitious; at once affective and deeply contemplative, it arrives with a 244-page publication and catalogue with 154 colour illustrations. The pathos of the Omo N’Oba’s foreword in the catalogue is unmistakable: “The year 1897 means much to me and my people; it was the year the British invaded our land and forcefully removed thousands of our bronze and ivory works from my great grandfather, Oba Ovonramwen’s Palace.”

Such rendering also runs through Peju Layiwola, herself a scion of the Benin kingdom; A granddaughter of Oba Akenzua II (1933-1979) and a daughter of the sculptress, Princess Elizabeth Olowu.  Early sneak reviews suggest that, besides its intellectual content, this effort could equally be read as an exercise in filial cultural intervention, something not just of a professional obligation but an anxiety to fill an autobiographical void. Through this cultural action for freedom, the past seems to be indicting the present, as one off-spring of a brutish encounter is beginning to throw barbs of indictment at past abuse of power. Speaking in a tone quite similar to HRM, Peju in relation to the stolen artefacts, remarks sharply that: “They who once enjoyed the splendour of the palace are now trapped behind glass wall in foreign lands.”

The exhibition opens with a colloquium on the issue of restitution and the repatriation of cultural property to Nigeria.  Speakers are Professor Folarin Shyllon, Former Dean, Faculty of Law, University of Ibadan and Professor Ademola Popoola,  Dean, Faculty of Law, Obafemi Awolowo University, Ile Ife.  The chair of the colloquium is Professor Akin Oyebode, Faculty of Law, University of Lagos

This historical exhibition is expected to run for about two months to enable as many primary and secondary schools organize study tours.  Workbooks for students will be made available for free at the venue.

The accompanying publication features essays by
Kwame Opoku, Commentator on Cultural Affairs.
Folarin Shyllon, Former Dean of Law, University of Ibadan, Nigeria,
Professor Sylvester Okwunodu Ogbechie, University of California, Santa Barbara, USA,
Professor Freida High, University of Wisconsin-Madison, USA,
Mimi Wolford, Director, Mbari Institute for Contemporary African Art, Washington DC, USA ,
Professor  Mabel Evwierhoma, University of Abuja,  Nigeria,
Benson Eluma, Cambridge University, UK,
Akinwale Onipede, University of Lagos. Nigeria,
Dr Victor Osaro Edo, University of Ibadan, Nigeria,
Dr Peju Layiwola, University of Lagos, Nigeria,
Dr Sola Olorunyomi, University of Ibadan, Nigeria, co-editor and curator.

This project is supported by The Centre for Black and African Arts and Civilization (CBAAC), the Edo State Government, the National Commission for Museums and Monuments, Abuja, the University of Lagos and the University of Ibadan.

More Information

For more information, visit http://www.benin1897.com
Sola Olorunyomi (curator)

Suggested Books

Benin: Royal Arts of a West African Kingdom (Art Institute of Chicago)
Benin: Kings and Rituals

African Market Women: Seven Life Stories from Ghana, Book Review

woman trader makola market ghana

Woman Trader In Accra's Makola Market, Ghana

[Photo credit: transaid images]

Ghana life

I came across a book review today of a book that looks really interesting. Gracia Clark writes African Market Women from many years experience living in Ghana. African Market Women: Seven Life Stories from Ghana is a sequel to her first book Onions Are My Husband: Survival and Accumulation by West African Market Women. However, unlike the earlier work it is presented in the market women’s own words.

Buy a copy

African Market Women: Seven Life Stories from Ghana
Onions Are My Husband: Survival and Accumulation by West African Market Women

For anyone who has spent time in West Africa these two books will be of great interest.

Gracia Clark.  African Market Women: Seven Life Stories from Ghana. Bloomington  Indiana University Press, 2010.  265 pp.  $65.00 (cloth), ISBN 978-0-253-35417-4; $24.95 (paper), ISBN 978-0-253-22154-4.

Reviewed by Sara Berry (Johns Hopkins University)
Published on H-Africa (July, 2010)
Commissioned by Brett L. Shadle

Little by Little: Life Histories of African Market Women

Gracia Clark is an anthropologist whose ethnographic research and writings center on the lives of women traders in Kumasi, Ghana’s second largest city and capital of the historic Asante Region. Since she first began working in Kumasi in the late 1970s, Clark has carried out several extended periods of ethnographic research in and around Kumasi’s vast Central Market, observing women’s activities, sharing their surroundings, and following them on trading journeys to the countryside around Kumasi, and to markets, towns, and cities in other regions of Ghana. In journal articles and, now, two monographs, Clark has produced richly detailed accounts of the women’s business practices, their daily lives, and the economy, society, and political world in which they live and work. In addition to intensive ethnographic observation and analysis, she brings a historical perspective to her work–tracing continuities and changes over time in economic conditions, government policies, and city life in Kumasi, and discussing their significance for market women’s lives.

Clark’s first book, Onions Are My Husband: Survival and Accumulation by West African Market Women (1994), is a meticulously detailed description and analysis of women’s business practices, market conditions, traders’ social and familial relationships, and the place of Kumasi Central Market in the regional economy of central and southern Ghana in the early 1980s, when Clark did her fieldwork. Dominating wholesale trade in staple foodstuffs in Central Market and the surrounding region, Kumasi’s women traders built their own system of market governance–organized in associations of women who trade in a particular commodity, elect their own “market queen,” and meet as needed to exchange commercial information, resolve disputes, and debate strategies for coping with official interventions or with crises, such as a collapse in prices, a fire, or a change in government policy. Approaching fieldwork as a learning experience, Clark positioned herself as a student, her informants and research assistants as teachers. Realizing during the early stages of her fieldwork that traders often responded to her as they would to a small child, she incorporated her social position into her research methods. As time passed, “I began to be entrusted with tasks appropriate to a five-year-old–watching the stall for theft or playing with the baby. Then I was promoted to eight- or nine-year-old status, capable of making ordinary retail sales and purchases and carrying complex messages.”[1] Based on this extended process of learning and social maturation, Clark developed a deep, experiential understanding of Asante society and the market economy that lies at the center of the women traders’ lives. African Market Women builds on this understanding.

Soon after Onions Are My Husband was published, Clark returned to Kumasi for further research on market women’s life histories. Reconnecting with some of the women she had known through her earlier research and getting acquainted with others, she asked for volunteers who would be willing to narrate the stories of their lives and have her record them. Seeking uninterrupted reflections from each of her informants, she altered her research methods from the earlier study. Instead of conversing with and observing women in the marketplace and on trading journeys, she invited volunteers to visit her lodgings, one at a time, thereby removing them from the noise and distractions of the market, and recorded their narratives as they told them, interrupting as infrequently as possible, and only to ask the speaker to clarify or expand on a point. The result is African Market Women, a collection of autobiographical narratives told by the women in Twi, transcribed and translated by Clark and two Ghanaian assistants, and reproduced in the book with short chapter introductions and minimal editing by Clark, plus an introduction and a conclusion. In the introduction, Clark provides a brief overview of the history of Kumasi Central Market and the position and importance of women traders there, and describes in detail the methods she used in eliciting, recording, and producing the women’s narratives. In the conclusion, she reflects on the collected stories, pointing out some of their common themes, but concluding that what is most valuable about them are their idiosyncracies. “Privileging their individuality focuses … on the interpretive insights for which in-depth interviewing has the most advantages…. Rooted in multiple contradictory connections … they … illuminate … social cleavages, [but] they do so by also partly bridging them” (p. 218).

The narratives themselves share a central focus on the women’s work as traders–detailing business strategies and practices, describing market conditions at different points in time, and recalling contingent events that opened new business opportunities or destroyed a trader’s capital. Most women interspersed their accounts with reflections on their families and, less frequently, other topics, such as biblical allusions, government policies, or the puberty ceremonies that their families had held for them in their youth. For the most part, the narratives are not arranged in chronological order or by theme, but move from one topic to another, sometimes within a single paragraph, often returning repeatedly to a particular theme, connecting it to various topics, circling back to offer explanations, or make judgmental comments on particular actions or associates described at an earlier point in the story. After commenting on skills required to trade in a particular commodity, a woman might go on to discuss her own business successes or misfortunes, describe her relations with a “mother” or “sister” who had helped her with her trade, detail her experiences with a former husband, or reflect on the way prices or standards of living had changed since she was young.

As Clark emphasizes in her conclusion, the narratives do not provide systematic accounts of changing market conditions, trading practices, or stages in a woman’s life course, but do help to illuminate the kinds of connections market women make between one theme and others, and the ways in which they explain the causes, or weigh the morality, of seemingly disparate activities and behaviors. Unfailingly realistic, they do not waste energy hoping for miracles. “Slow but steady progress, kakrakakra (literally, little by little),” as one elderly trader put it, is the key to business and personal success (p. 229). It is also a useful guideline for reading this book. Because Clark has chosen to give us the women’s narratives largely in their own words, African Market Women does not immediately engage the reader in a compelling plot or hold her attention by using its ethnographic evidence to unravel an analytical puzzle. Rather, its strengths lie in the understated manner with which it brings the reader into Clark’s conversations with her informants and the texture of their take on the circumstances and events of their lives. The book may be read as both a scholarly study and a collection of primary sources: accessible to a general reader, and likely to be of  particular interest to students and scholars seeking knowledge about Ghana, women’s studies, and/or African social history and economic life.

For readers who are already familiar with Clark’s first book, African Market Women will be a welcome and rewarding companion volume.

Note

[1]. Gracia Clark, Onions Are My Husband: Survival and Accumulation by West African Market Women (Chicago: University of Chicago Press, 1994), 22.

Citation: Sara Berry. Review of Clark, Gracia, African Market Women: Seven Life Stories from Ghana. H-Africa, H-Net Reviews. July, 2010.
URL: http://www.h-net.org/reviews/showrev.php?id=30817

This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States
License.

African Authors wanted for Cultural Sociology Encyclopedia

The following call for authors for a new encyclopedia should be of interest to African scholars who are involved in cultural sociology.

Please respond to Lisbeth Rogers culturalsociology@golsonmedia.com if you are interested.

SAGE Publications are inviting academic editorial contributors to a new reference work:
Cultural Sociology of the Middle East, Asia, and Africa: An Encyclopedia.

The four volumes include:

Volume 1: Middle East

Volume 2: Africa

Volume 3: East Asia

Volume 4: West, Central, and South Asia

In our age of globalization and multiculturalism, it has never been more important for Americans to understand and appreciate foreign cultures-how people live, love, and learn in areas of the world unfamiliar to most U.S. students and the general public. The Cultural Sociology encyclopedia takes a step forward toward presenting concise information with historical and contemporary coverage of the Middle East, Asia, and Africa, as four volumes of area studies illuminate the powerful influence of culture on society.

Each title comprises approximately 200 articles organized chronologically and alphabetically, addressing such academic disciplines as sociology, political science, women’s studies, business, history, religion, law, health, education, economics, and geography. It is the intent of the encyclopedia to convey what daily life was/is like for people in these regions. Each article ranges from 600 to 3,000 words. We are now making assignments due October 1, 2010.

This comprehensive project will be published by SAGE Reference in 2012 and will be marketed to academic and public libraries as a print and digital product available to students via the library’s electronic services. The General Editor, who will be reviewing each submission to the project, is Dr. Orlando Patterson at Harvard University.

If you are interested in contributing to this cutting-edge reference, it is a unique opportunity to contribute to the contemporary literature, redefining sociological issues in today’s terms. Moreover, it can be a notable publication addition to your CV/resume and broaden your publishing credits. SAGE Publications offers an honorarium ranging from SAGE book credits for smaller articles up to a free set of the printed product or access to the online product for contributions totaling 10,000 words or more.

The list of available articles is already prepared, and as a next step we will e-mail you the Article List (Excel file) from which you can select topics that best fit your expertise and interests. Additionally, Style and Submission Guidelines will be provided that detail article specifications.

If you would like to contribute to building a truly outstanding reference with the Cultural Sociology of the Middle East, Asia, and Africa: An Encyclopedia, please provide a brief summary of your academic/publishing credentials specific to the region to Lisbeth Rogers culturalsociology@golsonmedia.com Author Manager at Golson Media.

Suggested Books (US)

    On Trans-Saharan Trails: Islamic Law, Trade Networks, and Cross-Cultural Exchange in Nineteenth-Century Western Africa

    On Trans-Saharan Trails: Islamic Law, Trade Networks, and Cross-Cultural Exchange in Nineteenth-Century Western Africa

    This interesting book gives a significant contribution to the literature on North and West Africa and deserves to be widely read, not only by historians but also by anthropologists, students of religion, art historians, and others.

    Ghislaine Lydon. On Trans-Saharan Trails: Islamic Law, Trade Networks, and Cross-Cultural Exchange in Nineteenth-Century Western Africa. Cambridge Cambridge University Press, 2009. xxviii + 468 pp. $95.00 (cloth), ISBN 978-0-521-88724-3.
    On Trans-Saharan Trails: Islamic Law, Trade Networks, and Cross-Cultural Exchange in Nineteenth-Century Western Africa

    Reviewed by Amanda Rogers (Emory University)

    Reconsidering the Sahara: An Argument for the Contact Zone Approach

    Ghislaine Lydon’s On Trans-Saharan Trails not only fills a gap in knowledge of premodern Saharan economic history, but also bridges the cultural and historical terrains of the region in a manner relevant to a variety of disciplines. Chapter 1 introduces the central argument, presents the methodological premises, and deconstructs predominant myths plaguing the study of Saharan history. Lydon posits that Arabic literacy and Muslim religious institutional frameworks enabled the success of trans-Saharan trade despite the lack of shared currency and unified state systems, allowing for the cultivation of trust-based relationships between Muslims and Jews in a “paper economy of faith” that facilitated commercial transfers across wide distances (p. 3). The text focuses on nineteenth-century Wad Nun, a regional network of traders whose caravans circulated throughout the areas of northern and western Africa, today encompassing Mauritania, Senegal, Mali, and Morocco.

    The author creates a historical portrait of the region in chapter 2 that challenges long-standing myths of the Sahara as a barrier between North and South. Here the author documents the impact of climate patterns on trans-Saharan trade and human geographies. The once densely populated and fertile Sahara allowed for multidirectional migration prior to progressive desertification–a process that created salt deposits later responsible for fueling long-distance trade. She also overturns the idea that Arabic sources are foreign to the continent, drawing attention to centuries-old institutions of Islamic learning scattered throughout western Africa. She further deconstructs stereotypical historiographies that artificially divide the region on the basis of race and religion, demonstrating that the Sahara served as a contact zone in which long-standing historical exchange stimulated the dissemination of culture at a rate unrecognized by most scholars.

    Among the watershed moments of Saharan history were the introduction of the camel after the first century AD and the eighth-century arrival of Islam. The camel enabled the movement of goods more quickly and reliably than ever before. The religion spread the Arabic script and legal codes that would transform regional economies, settlement patterns, and culture. The formality of legal codes became particularly important in the tenth century as trade became increasingly complex. The eleventh-century Almoravid jihad spread Maliki doctrine (the most accommodating and flexible legal code) across western Africa, further facilitating commercial exchange.

    Trans-Saharan commercial interaction in the eleventh through fifteenth centuries succeeded as a complex, international system of networks. Groups settled in such key market centers as Jenne and Timbuktu, passing down knowledge of caravan routes to successive generations. The desire for metal and leather, coupled with the spread of Maliki law and literacy, fueled the trade as routes gradually shifted eastward beginning in the eleventh century, leading to the establishment of permanent settlements–a trend that continued as long-distance commerce integrated the Saharan trade into a truly global economy by the nineteenth century.

    The early nineteenth century witnessed an acceleration of trade along earlier Almoravid-era routes. Jihads, civil wars, and anticolonial struggles posed challenges to the trans-Saharan movement of information, yet facilitated commerce. The decline of Atlantic slave trading coincided with the importation of such new commodities as gunpowder, arms, cotton cloth, refined sugar, and green tea, even as trans-Saharan markets still demanded human cargo. Muslim jihad leaders financed their activities through caravan raids, ensuring the success of wartime economies. Civil unrest, such as Shaykh ‘Umar’s jihad, revealed the fraught relationship between Islamic legality’s idealism and the necessity of trading with “enemies” (i.e., non-Muslims). Traders and clerics justified compromises on the grounds of necessity, revealing the flexibility of Islamic legal structures.

    Chapter 4 focuses on the market town of Guelmim and the Wad Nun regional trade network, located beyond the jurisdiction of the Moroccan empire, at the crossroads of North and West Africa. Caravan trade formed the basis of the local economy, both supported by and sustaining agricultural and irrigation systems. The Wad Nun region was famed not only for its location but also for its powerful local leader Shaykh Bayruk (followed by his son). Bayruk’s commercial acumen extended to dispatching envoysto African markets as well as European centers.

    The market town grew exponentially under Bayruk’s protection. The demographic fabric of Guelmim was mixed, consisting of the Tikna, their sub-Saharan slaves, and political allies (Berber Jews and other Saharan partners). The Tikna defy ethnic labels; neither Berber nor Arab is an appropriate designation. Occupational diversity characterized Tikna society, although they were known above all as traders. To Lydon, the Tikna are best described not as a tribe but as a nation, with a shared territory, culture, and political system, that formed powerful diaspora communities throughout the continent.

    Chapter 5 reconstructs the logistics of camel caravanning. Lydon unravels the complex mechanisms necessary to commercial success, focusing in particular on kinship connections, the importance of women’s labor, institutional trust, paper economies, market systems, and strategies negotiating the political climate. Large, trans-Saharan caravans consisted of multiple groups travelling as a fleet on an annual basis, splitting apart upon reaching the destination. Smaller caravans operated interregionally, trading subsistence goods. Extensive management of resources and preparation went into every caravan, and occupational stratification provided for a wage-based economy; shareholders (entire cities or family conglomerates) financed the journeys and members played multiple roles, from cleric/doctor and leader/sheriff to translator. Although the physical act of caravanning was undertaken by men, women’s work proved integral to commercial success. Wives managed the household and business affairs during their husbands’ long journeys. Women owned and sold property, knew their divorce rights (often using Islamic marital contracts to circumscribe polygamy), manufactured a majority of the necessary equipment, and sometimes financed the expeditions.

    A paper economy underpinned the structure of caravan trade. Lydon describes the rise of literacy as a technological innovation allowing for legal transparency; debt enforcement and information flows through such written genres as letters, ledgers, and shopping lists. The influence of Islam on increasing trade is indisputable; the use of Arabic and Islamic law provided institutional mechanisms for recording and furthering trade across vast territories. Although a lack of common currency was problematic (as values and prices fluctuated), traders developed innovative strategies for negotiating fluid economic conditions. Among the most important forms of currency, Lydon records salt bars, gold and silver weights, cotton currency, cowry shells, minted currency, and paper money. Informal market rules included clan alliances, taxing, and tolls that attempted to control trade. Lydon closes with an apt comparison between premodern Saharan caravans and Indian ocean maritime trade, noting parallels in financial risk, trust-based economies, cultural interchange, the integral roles of the family, and female participation.

    The economics of trust form the basis of chapter 6. Lydon argues that Islam was particularly important in ensuring social stability where political authority was not centralized. Islamic law regulated transactions where no other cohesive civil law code existed. Its principal limitation in terms of institutional development, according to the author, was the requirement of oral testimony accompanying a written document in order for it to be recognized as legitimate evidence. She also maintains that understanding trans-Saharan commerce is contingent on knowledge of regional Islamic practice and so draws from legal records to determine what constituted normative practice, mandated by Maliki law and local custom. The bulk of the chapter concerns itself with the relevance of religion to trading organization, the roles of legal service providers, legal recordings of business transactions, and contracts between financiers and their agents.

    In chapter 7, Lydon paints a picture of nineteenth-century trading strategies of cost-reducing caravans operating in coalitions, facilitated in large part by transparent business transactions–themselves enabled by literacy and the paper economy of faith. She examines the limitations of trust using a legal dispute involving the death of BaghlÄ«l, a prominent Tikna trader, to illustrate the manner in which traders networked with their allies (in this case the Tikna with Awlad Bu al-Siba and Jews). According to the literature on trading networks, success was predicated on partners’ sharing the same values and free-flowing information. Lydon’s exploration of membership in the Maghribi networks indicates that regional identity was a factor along with kinship, religion, and ethnicity. Contractual documents between spouses and family members demonstrate that kinship was not sufficient to secure trust between trading partners. Religion, she argues, provided a much stronger foundation for solid business transactions since both Jews and Muslims used Maliki religious law to structure their commercial interactions.

    The Wad Nun inheritance dispute vividly demonstrates what occurred when the system of collaborative long-distance trading broke down. The case itself concerns the deaths of four prominent Tikna traders, and the conflict over a weighty inheritance in gold. The high profile of the trader allowed for a uniquely comprehensive documentation of the situation; its text is, in fact, a compilation of several legal documents detailing credit transactions, currency fluctuation, and the risks involved with trading–in a single folio that contains four perspectives on a single case.

    The final chapter reprises the contributions of the text and gives recommendations for future research. The study demonstrates the manner in which trade succeeded across long distances despite the lack of common currency and nation-state unity. European encroachment increased during the nineteenth century, and paper currency, new routes, and changing technology altered the face of centuries-old caravanning patterns. Lydon argues against the essentialist treatment of trade networks as static and detached from host societies, documenting the exchange of artistic goods, technologies, clothing, architecture, food, music, language, and populations in both directions across the Sahara. In terms of future research, she indicates that there are still critical discoveries to be made in sources on Maghribi Jews that “remain to be mined” (p. 385). The tension between Jewish-Muslim cooperation and anti-Jewish pogroms and expulsions is not resolved in this volume, despite the argument that Jews and Muslims cooperated in a situation of mutual trust because of the legal structures of their respective religions and because of a shared culture as “People of the Book” (p. 392). The independence of Saharan women in relation to their Muslim sisters is another topic worthy of exploration, as her example of Masna women who not only accompanied trader husbands on occasion but also conducted short-term journeys alone suggests.

    However, Lydon’s work extends far beyond the historical reconstruction of trading patterns. Indeed, her research methodology may be one of the book’s most significant contributions. Following Jan Vansina (Oral Tradition as History [1985]), she argues for the equal importance of various sources, aiming to resolve the disciplinary tension between the anthropologist’s emphasis on orality and the historian’s privileging of text. She uses both types of sources effectively herself, conducting Hasaniya, French, Arabic, Wolof, Songhay, and Fulfulde interviews with retired caravanners, soliciting family histories and migration stories, to clarify text-based information on currency fluctuations and archaic terminology. She also makes an extensive review of written records–legal documents, pilgrim travelogues, tradesmen’s accounts, and personal letters from African sources; and from European ones, white slave narratives, abolitionist travelogues, and commercial records. The author’s methodological depth, reconstruction of Jewish history in Africa, comments on the Berber-Arab relationship, and deconstruction of the Sahara-as-barrier myth are particularly impressive aspects of this study. Additionally, Lydon’s lucid writing renders highly complex history enjoyable reading. The appendices, maps, and glossary are helpful and well organized–further revealing the depth of the author’s knowledge. The text is a significant contribution to the literature on North and West Africa and deserves to be widely read, not only by historians but also by anthropologists, students of religion, art historians, and others.

    Citation: Amanda Rogers. Review of Lydon, Ghislaine, On Trans-Saharan Trails: Islamic Law, Trade Networks, and Cross-Cultural Exchange in Nineteenth-Century Western Africa. H-AfrArts, H-Net Reviews. July, 2010.
    URL: http://www.h-net.org/reviews/showrev.php?id=29643

    This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

    H-AfrArts
    H-Net Network for African Expressive Culture
    E -Mail: H-AFRARTS@H-NET.MSU.EDU

    http://www2.h-net.msu.edu/~artsweb/

    Suggested Books

    Other Africa history books

    Other Africa culture books

    Report of the International Conference on African Culture and Development 2009

    ICACD 2009 was held in Accra, Ghana November 15th to 18th 2009. on the theme of Culture and the Millennium Development Goals. ICACD 2009 was also hosting focus events on:

    • Culture, Governance and Traditional Leadership, and
    • Art and Culture as tools for conflict resolution

    The final report is accessible at http://www.icacdafrica.org/ICACD-09%20Report.pdf

    E-mail: info@icacdafrica.org

    Suggested Books (US)

    Brewing Local Millet Beer in Mali

    Millet Beer Brewing in Mali

    Millet beer is prepared in many parts of Africa. This opaque beer is part of local culture in Mali for some ethnic groups like the Bobo and Dogon. There are many small home breweries where beer is made by the women and drunk by the men. The grain is malted by soaking the grains to encourage them to sprout and then drying them. The next stage takes 3 days and involves mashing, boiling, fermenting and straining. The boiling is done either in multi-compartments as above or a single compartment stove. See http://www.archaeology.org/online/features/mali/beer.html for a good diagram.

    There are some great pictures and description of brewing local millet beer in Mali at Michael and Doria’s Travel Tales. Please take time and look at the rest of this blog!

    Homebrew, Bobo Style

    In Segou we visited a Bobo family who run a small brewery in their home, making millet beer in small quantities that they sell from a shed in their compound. While Mali is predominantly Muslim, and thus not alcohol-friendly, there are a number of peoples within the country who have maintained their traditional religions. Our guide Oumar referred to the Bobo people as “hard-core animists”. Whatever that means, they certainly were into their beer, and I got quite a few pictures of their backyard brewing venture

    Here the millet kernels are soaked in warm water in the sun until they sprout. This, as any self-respecting homebrewer knows, is the first step of the process known as malting. Grains are malted by encouraging them to germinate, or sprout, and then drying them out again before the process goes to far. This increases the sugar known as maltose in the grain.

    More

    Suggested Books