I’ve just found a website, www.musicvideos.the-real-africa.com which has pages devoted to Africa music with a drop down list for African countries. It looks like a good site to explore!

I though I’d have a look at Rwandan music as it is an African country whose music I am not familiar with and I wanted to find some positive news about Rwanda. There’s a good selection in the music videos the real africa Rwanda section .

One of the tracks I liked was Byumvuhore played by Ben Ngabo. You can hear it here: Byomvuhore.

On the right of the page you can find links to Rwandan artists, blogs, some dance videos, and some links to articles about Rwandan music and Rwanda. You’ll also find some more information at the Wikipedia article for Rwandan musicISARO.RW which is a Rwandan music site. National Geographic also have a webpage about Rwandan music with some clips to play.

You may also be interested in INYARWANDA web radio for Rwandan popular music. (Thanks to @negrita)

Suggested Books (US)

Suggested Books (UK)

Books for sale, Tanzania

[Photo credit: meaduva]


Call for African studies publications

Publication Date: 2010-10-26

The University Press of America invites emerging and established scholars to submit their proposals for new books on African film and literature. Innovative proposals in other disciplines will also be considered. Interested scholars should submit CV, proposal outline, and sample chapters
to:

Lindsay Macdonald
lmacdonald@univpress.com
Acquisitions Editor
University Press of America (www.univpress.com)

Lindsay Macdonald
4501 Forbes Boulevard, Suite 200
Lanham, MD 20706
Email: lmacdonald@univpress.com
Visit the website at http://www.univpress.com

Announcement ID: 177655
http://www.h-net.org/announce/show.cgi?ID=177655

Johannesburg

[Photo credit: *Kicki*]

Final Call for Papers:

Dialogues:  A Postgraduate Symposium on Visual Arts and Culture University of Johannesburg, Friday 1 to Saturday 2 October 2010

The South African Visual Arts Historians (SAVAH) is pleased to announce a postgraduate student symposium to be held at the Faculty of Art, Design and Architecture at the University of Johannesburg from Friday 1 to Saturday 2 October 2010.  Recent SAVAH conferences have served as platforms for critical debates on the disciplines of art history and visual arts studies by interrogating the ways in which these essentially Western disciplines are being (re)written and studied in South Africa in relation to South Africa’s status within a wider African and global discourse.  SAVAH would like to extend this enquiry by gauging the field of play as it relates to the research postgraduate students are doing.  The symposium thus aims to serve as a platform for postgraduate students to present their research in a supportive environment in order to stimulate intellectual and creative dialogue, and to network and exchange ideas with other students and academics.

We invite proposals based on current or planned research from postgraduate students in the fields of history of art, visual culture studies, fine arts, architecture, design, heritage studies and related fields which are relevant to the topic of the symposium.  There are various possibilities in terms of the format of presentations, including formal papers (max. 20 mins), short seminars, poster presentations, and round-table discussions relating to current research, proposed research, or research work-in-progress.  The call is open to students working both with theoretical and practice-led research.

Short proposals (max. 500 words) indicating the preferred format of presentation (paper, seminar, poster, round-table discussion) must be submitted via email in WORD or PDF to n.makhubu@ru.ac.za or r.simbao@ru.ac.za by 20 August 2010.  Please include your institutional affiliation and degree for which registered.  The organising committee will send out acceptance notifications and more information by early September 2010.

Organising Committee:
Dr Federico Freschi (SAVAH Chairperson; Senior Lecturer, History of Art, Wits School of Arts, University of the Witwatersrand
Karen von Veh (SAVAH Ex-Officio Chairperson & Membership Secretary; Senior Lecturer, History/Theory of Art, University of Johannesburg)
Nomusa Makhubu (SAVAH Student Network Co-ordinator; Lecturer, Art History and Visual Culture, Rhodes University)
Prof. Ruth Simbao (SAVAH Student Network Co-ordinator; Associate Professor, Art History and Visual Culture, Rhodes University.
Landi Raubenheimer (SAVAH Secretary; Senior Lecturer, Theory of Art’ University of Johannesburg)

Via H-Net Network for African Expressive Culture
E -Mail: H-AFRARTS@H-NET.MSU.EDU
http://www2.h-net.msu.edu/~artsweb/

Kimberley Big Hole, South Africa

[Photo credit: DrJohnBullas under a Creative Commons license]

This is a call for entries for the 8th ALUTA Film Festival, 23-26 February 2011. Please note the submission requirements and deadline of 29 November 2010.

The organisers of the ALUTA FILM FESTIVAL, South Africa’s premier township cinema event, are calling for entries from South African and International filmmakers for 2011, the 8th edition of the festival. The 2011 film festival edition will be hosted on the 23rd till 26th February 2011 in Kimberley – South Africa

Submissions MUST be from filmmakers who have produced films that embrace BLACK experiences worldwide and/or experiences of marginalized communities from across the globe. Submissions MUST be from filmmakers from all over the world with special emphasis on world cinema (films that explore history, social issues and highlight marginalized communities within the developing world).

ALUTA FILM FESTIVAL 2011 dates: Wednesday 23 – Saturday 26 February 2011

ALUTA FILM FESTIVAL – CALL FOR ENTRY DEADLINE: Friday 29 November 2010

ALUTA FILM FESTIVAL accepts features, documentaries and short films in the genres/sub-genres of drama, action, thriller, comedy, animation and factual. Filmmakers must guarantee, should their film/video be selected, that permission from the rights holder is secured for a minimum of four screenings at the 8th annual Aluta Film Festival 2011.

Filmmakers are requested to submit DVD PAL screeners of their films and a brief filmmaker biography for viewing by our panel, upon viewing – all selected filmmakers will be forwarded the official application details as well as all festival regulations. Please note that no screeners will be returned.

For additional information feel free to contact festival director at motheoseleke@yahoo.com and or at motheoseleke@gmail.com .All entries MUST be forwarded to the below mentioned address

Motheo Seleke
Aluta Film Festival
18985 Guttenburg Pitse Street
John Mampe. Phase One
Galeshewe. Kimberley. 8300
South Africa

ABOUT THE FILM FESTIVAL
The Aluta Film Festival – a brainchild of independent filmmaker Motheo Seleke is held each year during February in Kimberley’s vibrant township township: Galeshewe to coincide with the internationally acclaimed Black History Month. Over the years the film festival has enjoyed international acclaim for its uniqueness in its programming and its vibrant township setting.

Dubbed South Africa’s premier township cinema event – an important aspect of the Aluta Film Festival is to be a repository for the stories of people of African ancestry worldwide as well as showcasing cinematic platform for films that embraces experiences from the developing world. The film festival particularly attracts filmmaking talent from all over the world and appeals to a growing South African and African market that is increasingly interested in African and Diasporan entertainment and cultural products.

Suggested Books (US)

Suggested Books (UK)

This looks like a good opportunity for African scholars and writers. Please apply directly to the advertiser and note that proposals need to be in by May 14 2010.

We are looking for three more chapters to contribute to our volume ‘Art and Trauma in Africa: Representations of Reconciliation in Film, Art, Music and Literature’ to be edited by Lizelle Bisschoff and Stefanie Van de Peer (co-directors of Africa in Motion festival, both with a PhD in African cinema).

We have become increasingly aware of how visual arts, music, literature and film from Africa have come to deal with the traumatic events of the recent past and the present. African artists have sought to represent in varying ways the traumas of conflict and war of post-colonial African states and attempts towards reconciliation, peace, truth, justice and forgiveness.

The volume will consist of four thematically structured sections, each including three to four chapters: a section on visual arts (sculpture, photography, etc.), one on literature, one on film and one on music.

Details of the chapters we are still looking for:

1. We would like to add a paper that deals with photography, trauma and reconciliation in Africa, in the context of war and conflict, to explore how photography and memory work together to commemorate and work through traumatic experiences.

2. The second paper we are looking for would have to deal with Rwandan film production: in recent years Rwandan films have increasingly dealt with the devastating personal and collective traumas of the genocide. Films by e.g. Eric Kabera have contributed considerably to the collective commemoration and psyche to attempt to overcome the devastation.

3. We are also looking for a chapter on the effectiveness, problems and opportunities offered by the power of music in Africa. Festivals, performances, concerts contribute to the collective experience of music, while the opportunity to work through collective pain also presents itself.

The deadline for these contributions is the end of October 2010. Length of papers is 6,000 words maximum. Inclusion of images is highly appreciated, but copyright issues must be cleared by the contributors themselves.

Please send proposals of no more than 300 words to
stefanie@africa-in-motion.org.uk and lizelle@africa-in-motion.org.uk by 14th of May 2010.

Seen on H-AFRICA list

About the conference

CAMRI Racism, Ethnicity and the Media in Africa Conference

Draft Programme

Organised by the Communication and Media Research Institute (CAMRI), a member of the Africa Media Centre, University of Westminster

Keynote speaker:
Francis B. Nyamnjoh, Professor of Anthropology, University of Cape Town
Topic: ‘Africa’s Media: Between Professional Ethics and Cultural Belonging’

Start date: Thursday 25 March 2010
End date: Friday 26 March 2010

Venue: 115 New Cavendish Street, London W1W 6UW

Racism, Ethnicity and the Media in Africa is a 2-day interdisciplinary CAMRI conference to be held at the Cavendish Campus, University of Westminster from 25-26 March 2010. Not only are the concepts and practices of racism and ethnicity related and multifaceted – covering issues such as race, sex, colour, status and class – but they are also part of multi-staged pre-colonial, colonial and postcolonial realities. The crisis in global capitalism, rising levels of poverty in Africa, together with political mismanagement, appear to be fuelling unprecedented levels of racial and ethnic conflict on the continent. This debate matters because racism and ethnicity have, to a large extent, undermined African efforts that aim to achieve national unity and development. The Nigerian-Biafran War, 6 July 1967 – 15 January 1970, serves as a prominent example. More recent examples include Rwanda, where, in 1994, RTML radio played a leading role in the massacre of millions of Rwandans. In December, 2007, Kenyan media reports and songs,
during what many regarded as ethnic-divided elections, contributed to the violent clashes that killed 900 and displaced more than a quarter of a million people. The ethnic and racial killings in Darfur, the murder of albinos in Tanzania, the 2008 xenophobic attacks in South Africa and many other unreported conflicts in Africa raise many questions: How are the mass media implicated in the growing ethnic and racial conflicts and violence in Africa?  In what ways are the media challenging, undermining or reinforcing issues relating to racism and ethnicity in Africa?  How have African media and journalists covered racial and ethnic topics?  Both old and new media have opened new spaces for debates that were formerly suppressed, but have they not also encouraged extremism?

Speakers include:
Adamu Ladi Sandra, Ahmadu Bello University, Nigeria
Armijo Enrique, Attorney, Washington, USA
Azungi Dralega Carol, Western Norway Research Institute, Norway
Baffour Ankomah – New African, IC Publications, UK
Bedu-Addo Kobina Ano, Ghana Institute of Journalism, Ghana
Cabedoche Bertrand, Gresec, Université Stendhal Grenoble3,  France
Esan Oluyinka, University of Winchester, UK
Frere Marie-Soleil, University of Brussels, Belgium
Gachiri Albert – News Editor of NTV, Kenya
Lekgoathi, Sekibakiba Peter – University of the Witwatersrand, South Africa
Mogera Solomon – BBC Head of Swahili Desk, UK
Mwendo Lilian – Kenyan Television Journalist (KBC), Kenya
Nassanga Goretti Linda, Makerere University, Uganda
Noetzold Katharina – CAMRI, University of Westminster
Omenugha Kate Azuka, Nnamdi Azikiwe University, Nigeria
Piela Anna  – CAMRI, University of Westminster
Rodny-Gumede Ylva, University of Johannesburg, South Africa
Roza Tsagarousianou – CAMRI, University of Westminster
Sakina Datoo – Chairperson – Tanzania Editors Forum, Tanzania
Salawu Abiodun, University of Fort Hare, South Africa
Seaton Jean – CAMRI, University of Westminster
Simões de Araújo Caio, University of Coimbra/ University of the State of
Sao Paulo, Brazil
Simutanyi Neo, Centre for Policy Dialogue, Zambia
Sithole Innocent Chofamba – Ex-Editor, The Mirror (Zimbabwe)
Thussu Kishani Daya – CAMRI, University of Westminster
Xin Xin – CAMRI, University of Westminster

How to attend
To register, click here:

http://www.westminster.ac.uk/schools/media/news-and-events/events/2010/racism,-ethnicity-and-the-media-in-africa

To register please download form from here
http://www.westminster.ac.uk/schools/media/news-and-events/events/2010/racism,-ethnicity-and-the-media-in-africa
and return it with payment to Helen Cohen (H.cohen02@westminster.ac.uk) or

post it to:

Conference Administrator, Room FG-03, University of
Westminster, Watford Road, Northwick Park,  Harrow, Middlesex HA1 3TP
England or by FAX: +44 (0) 20 7911 5995 . Phone No +44 (0) 20 7911 5000
Ext 4298.

An Assessment of the Role of Community Radio in Peacebuilding and Development: Case Studies in Liberia and Sierra Leone

Search for Common Ground

Publication Date
July 1, 2009
Summary
This five-page report details the results of an evaluation of four community radio stations in rural Sierra Leone and Liberia. The evaluation focused on areas still struggling to achieve meaningful development in a post-conflict setting and was designed to assess the relationships between drivers of development and community radio stations. The study found that community radios are significantly impacting development in their communities via relationships with local and international non-governmental organisations (NGOs).

The study included an analysis of current radio programming for its impact on local development processes, while an audience survey and focus groups were used to better understand audience perceptions and uses of local radio. Stations were also evaluated on their capacity as independent development agents with an eye towards ongoing peacebuilding functions.

According to the report, the impact of community radios falls into two categories: support for programme implementation leading to improved efficacy, broader reach, accountability, and community feedback; and regular airing of education and awareness programming – yielding results in changing attitudes and behaviours. The study found that the community stations had a positive and engaged relationship with local government as well as civil society organisations. Overall, the study found that community radio plays a central role in disseminating information related to development and in improving development outcomes through partnerships at all levels.

The study found that sensitisation and awareness programmes were often cited as audiences’ favourites, as was interactive, public forum programming. A majority of listeners credited community radio stations with improving basic living conditions and encouraging an attitude of community responsibility and pride. Audiences also expressed a desire for expanded broadcast times. Station leadership was found to be the single overriding factor determining a station’s impact and effectiveness.

According to the report, the stations also positively contributed to peacebuilding in their communities. Listeners reported a high impact from programmes that address peace and nonviolent conflict resolution. Community stations in all locations were also described as active participants in diffusing potential violent crises. It was found that radio helps marginalised people without access to other means of communications and was universally cited as vital in facilitating peaceful election processes.

The report concludes that community radio does play a strong role in local peacebuilding, and that radio stations’ promotion of inclusive development processes has a broad impact in promoting sustainable peace. However, it also found that radio’s impact is often reliant on the cooperation of government, and that community radio stations are making limited use of their power as media outlets to compel government participation in media.

How to get a copy

Click to download An Assessment of the Role of Community Radio in Peacebuilding and Development: Case Studies in Liberia and Sierra Leone in PDF format.

Contact
Shaya Gregory
Search for Common Ground – Africa Programme
1601 Connecticut Ave. NW

Washington, D.C.
20009
United States
Search for Common Ground website
sgregory@sfcg.org

Ransford Wright
Associate Coordinator
Independent Radio Network
159 Circular Road

Freetown
Sierra Leone
Independent Radio Network website
irnsalone@yahoo.com

Source
Search for Common Ground website on February 15 2010.

Ousmane Sembene

[Photo credit: _cheryl]

Please send abstracts directly to the advertiser as requested.

Sembene Ousmane passed away in June 2007 leaving behind an extraordinary literary and film corpus.   In a 1974 lecture, he underscored the centrality of culture in human society, noting that “Culture is political in all respects . . . the sum total of Man’s spiritual and material needs. . . . It is the link between the cradle and the tomb.”  In his works, Sembene sought to demonstrate the dynamic relationship between culture and the discourse of African liberation.  More so than most artists of his time, Sembene challenged his audiences and readers to explore the internal dynamics of the relationship between Africa and its former colonizers.  He often shed light on controversial aspects of indigenous traditions and was critical of emerging cultural formations that compromised the progressive transformation of African societies.  He was therefore critical of racialist and/or sectarian approaches in the quest for independence that disregarded the complicity of the traditional and contemporary African elite.  Consequently, Sembene’s legacy requires a critical reassessment of the ideological underpinnings of culture and its complex relationship in current discourses on Africa in the era of globalization.

We invite original contributions for a book on Sembene Ousmane to be published in 2011. We are interested in receiving proposals for substantial articles in English and French from scholars interested in re-evaluating Sembene’s intellectual and artistic legacy framed around any of the following rubrics:

  • Globalization
  • Gender
  • Race and Ethnicity
  • Eco-Consciousness
  • Historiography
  • Panafricanism
  • Women’s Rights
  • (Im)migration
  • Space and Time
  • Film Music
  • Aesthetics
  • Ideological Interventions
  • Interview (unpublished)
  • Miscellaneous

Send your abstracts, which should not be more than 300 words, via an E-mail attachment, not later than May 31 st  2010  to  either of the co-editors Lifongo Vetinde at <lifongo.vetinde@lawrence.edu> or Amadou Fofana at <afofana@willamette.edu>.

In their attempt to upgrade the capacities of media training institutions to offer high-quality training and journalism education, UNESCO and Rhodes University have teamed up to set up an online discussion that will culminate in developing and disseminating a possible syllabus on reporting Africa, based on the UNESCO Model Curricula for Journalism Education.

http://portal.unesco.org/ci/en/ev.php-URL_ID=29435&URL_DO=DO_TOPIC&URL_SECTION=201.html

[Video credit: Doha Tribeca Film Festival]
Maisha Program 2010, Uganda

MAISHA (meaning “life” in Kiswahili) provides new screenwriters and film directors from East Africa (Uganda, Kenya, Tanzania and Rwanda) and South Asia with access to the professional training and production resources necessary to articulate their visions. Maisha aims to preserve, cultivate and unleash local voices from these regions, and to become one of the first targeted programs to offer structured and accessible resources to these emerging filmmakers.

The 6th Annual Maisha Filmmakers Lab – Maisha’s Annual Filmmakers’ Lab is the centerpiece of the Maisha program. It is an intensive 23-day course for intermediate students from East Africa (Uganda, Kenya, Tanzania, and Rwanda) focusing on the basics of screenwriting and production. Maisha’s Reading Committee selects 9 screenwriting participants based on their 10-15 page screenplays.Other activities are foreseen in the framework of

  • The 3rd Annual Screenwriting Labs
  • The Zanzibar International Film Festival. Deadline for application: March 26th, 2010
  • Rwanda International Film Festival (Kigali, 15 – 21 May). Application deadline: 19 March 2010
  • Kenya International Film Festival (Nairobi, 16 – 23 October). Application deadline: 2 August 2010.
  • Amakula Kampala International Film Festival (Early November 2010). Application deadline: 2 August 2010.
  • 2nd annual Maisha documentary filmmaking lab – Funded by the Luma Foundation (Early October 2010)
  • · Apprenticeship With Local Filmmakers (Since 2009)
  • Maisha Feature Screenplay Mentorship Program – (New Program, 2010). Application Forms at http://www.maishafilmlab.com/index.php

Web site: http://www.maishafilmlab.com/

Email: maishafilmlab@infocom.co.ug

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